If you haven’t been there lately, that may sound pretty crazy. There’s been no shortage of reporting on Detroit’s hard times. But I grew up near “the D” and as a kid, a trip to Detroit meant something special–a Detroit Tigers game or a speedboat race on the Detroit River with my dad, shopping at Hudson’s with my mom, Broadway shows at the Fisher Theater, field trips to the Detroit Institute of Arts, all accompanied by the rhythm of Motown.
I live in Minnesota now, but returned to the city last week and once again felt how special it is–its history, it’s people, and a general vibe of grit and coolness found in few other places. Best of all, many of the things from my memory are still there, though sometimes in altered form.
The Tigers have moved to Comerica Park.
Partly because of those qualities, the city is making a huge comeback. I was there for five days and could have stayed longer, partly enjoying the memories, partly seeing what’s vital and new, and feeling nostalgia with a positive spin.
I never expected to see a cathedral like this in St. Louis, Missouri. Completed in 1914 this spectacular building would be a natural in some European capital, but a surprise in the heart of the U.S. From a distance, the walls and ceiling of this cathedral look painted. With a closer look you see that they are covered in 41.5 million glass pieces in more than 7,000 colors. Covering 83,000 square feet, it is the largest mosaic collection in the world. More than intricate, it’s staggering. These photos are just a sample.
This week’s photo challenge is express yourself. While some call it vandalism, there’s no more in-your-face, larger than life form of self-expression than graffiti. For the past 20 years, the mecca of that gritty urban art form has been 5 Pointz, a dilapidated factory complex in Queens, New York City.
Founded as the Phun Phactory in 1993, it was designed as a place for street artists to legally practice their craft. Here, aerosol-can Picassos made the derelict buildings beautiful and gained worldwide fame.
Sadly, the buildings were recently demolished to make way for yet more shiny high-rise apartment buildings.
Who doesn’t feel like they know just about everything there is to know about 9/11? We’ve seen the video tapes of planes crashing into the World Trade Center on September, 2001 countless times and viewed special reports and documentaries without end. Yet, when I stepped into the new National September 11 Memorial Museum I found that there actually was more to learn, but more importantly, to remember.
Located underground in the heart of the World Trade Center site, the museum tells the story of what happened on 9/11, including the events at the World Trade Center, the Pentagon and the story of Flight 93 that crashed in Pennsylvania. The exhibition explores the background leading up to the events and examines their aftermath and continuing implications.
Even though we’ve seen them so many times, when those video clips and films of what led up to the attack played in the museum the people watching them with me all had the same reaction: “Oh my God.” There are video taped stories from people who were there, displays of artifacts ranging from fire trucks and twisted metal beams to personal objects of people working in the towers that day (really personal things like shoes and purses), papers that rained down, and a portion of one of the stairways from which survivors escaped the building.
As one would expect in such an emotionally and politically charged situation, many parts of the museum have been controversial. Some people object to the the way one exhibit connects Islam and terrorism and the simple fact of tourists gawking at what is essentially hallowed ground offends some of the families. Nonetheless, I felt like the curators struck the right balance.
Many survivors of the attack on the World Trade Center and their families are very involved with the museum and give tours and talks at the complex. I felt lucky to be there for a presentation by an NYPD officer who was on site that day and a young woman whose father died trying to get people out of one of the towers. Their stories made it all very personal. Not a dry eye in the house.
I left the museum to stroll around the 9/11 Memorial outside with its two square waterfalls surrounded by the names of those lost in the attacks. The newly opened One World Trade Center–the tallest skyscraper in the Western Hemisphere and the fourth tallest building in the world–towers, symbolically, over it all. I’m sappy enough to feel proud of the way the city and the country has moved on, but still remembers.
If you go: Admission, $24 for adults. Go to 911memorial.org to reserve tickets, download the free 9/11 app to enhance your tour and for directions.
Read up: As usual, I recommend a bit of reading before you go which adds immensely to enhance your experience. And, as usual, I recommend fiction books for their ability to layer events and emotions to create a story that is almost more real than non-fiction. Extremely Loud and Incredibly Close– Jonathan Safran Foer, Falling Man, Don DeLillo. For nonfiction, check out an anthology of New Yorker articles, After 9/11– edited by David Remnick.
This week’s challenge: show a minimalist photo. This is the steeple at the chapel of Bishop’s Lodge, just outside Santa Fe. The chapel was built for the priest, Bishop Lamy, who was the inspiration for Willa Cather’s novel Death Comes for the Archbishop. The light in New Mexico makes just about any photograph interesting.
Travel to the places you read about. Read about the places you travel.