Tag Archives: reading

A Skeptic’s Guide to Writers' Houses

I just finished reading A Skeptic’s Guide to Writers’ Houses, a tour of the homes of writers ranging from Hemingway to Poe to Langston Hughes by writer and English professor Anne TrubekIn this funny and very insightful book, Trubek examines the lure of writers’ homes for readers and for herself.  And a big draw it is; she says there are about seventy-three writers houses open to the public in the U.S. and hundred of thousands of people visit them annually, 60,000 a year to Mark Twain’s house in Hartford alone. But, such pilgrimages aren’t always very satisfying. She says

Writers’ house museums expose the heartbreaking gap between writers and readers. Part of the pull of a writer’s house is the desire to get as close as possible to the precise, generative, “Aha!” But we can never get there….Going to a writer’s house is a fool’s errand. We will never find our favorite characters or admired techniques within these houses; we can’t join Huck on the raft or experience Faulkner’s stream of consciousness. We can only walk through empty rooms full of pitchers and paintings and stoves.”

But A Skeptic’s Guide is entertaining precisely because, for Trubek the houses always come up short, which she describes in a pleasantly un-snarky way.  For example, visitors and tour guides often seem to confuse the idea that a house was where the writer lived and not where the fictional characters like Huck Finn or Jo in Little Women lived.  The furniture, papers and other items in the houses are often not those that belonged to the writer, but are things the curator added willy-nilly.  Edith Wharton’s home, The Mount, is decorated as a modern-day show house, computer and all.   Most houses seem to have the same array of merchandise in the gift shop.

I agree with her.  I’ve never really seen the lure of an author’s homes as some way to commune with the departed genius or magically attain the writer’s magic for my own use.  However, I’m fascinated with the sense of place that literature creates.  When I read about Huck Finn, it makes me want to not visit Twain’s Hannibal home but rather to hop in a boat and travel down the Mississippi. For a Yankee like me, it’s exciting to visit the Carolina lowcountry I’ve read about in books such as Pat Conroy’s Prince of Tides or The Water is Wide.  I get a better understanding of the real people who live there as well as their history and the geography that has shaped it.

Ultimately, the essence of the writer isn’t in the house, it’s in the words. Trubeck concludes, “[Langston] Hughes knew that …the world of the imagination would offer him more than the city, more than a house.”

Does this hoop skirt make my butt look big? "Gone With the Wind" at 75

Despite its political incorrectness and my yankee heritage, Margaret Mitchell’s Gone With the Wind is one of my favorite books. It was published 75 years ago–it seems like only yesterday.  Check out National Public Radio’s terrific articles and reports about the book’s 75th anniversary. This occasion makes the book a great choice for book clubs–plenty new to talk about. And, it’s the 150th anniversary of the Civil War, so it’s timely. Be sure to read Pat Conroy’s chapter about Gone With the Wind in his book My Reading Life.

I may be a fan of the book, but I’m nowhere near as devoted as a group of hard-core GWTW fans called the Windies who the New York Times describes as “so ardent that recreating the burning of Atlanta in an airport hotel banquet room is not out of the question.”  I can’t join them.  It’s just too hot for a hoop skirt.

No e-Books Here, Only Rare Books

Rare books are like works of art. Browsers at the Twin Cities Antiquarian Book Fair.

No matter how much you love your e-reader, the books it contains will never look beautiful on your shelves and those electronic books will never appreciate in value.  You’ll never feel the weight or the texture of digital books, the care that went into binding them or wonder who held those books before you.

Those facts were particularly striking last weekend as I strolled the stalls of the 21st annual Twin Cities Antiquarian and Rare Book Fair at the Minnesota State Fairgrounds.  The shelves were full of lovely leather-bound, gold embossed rare books as well as first editions from the likes of Ernest Hemingway, William Faulkner, Ray Bradbury and scads of others.  Picking them up was like holding a piece of literary history. I kept waiting for someone to slap my hands and say, “You touch it, you buy it,” but no one did.  One of the marquee items for sale was a first edition of F. Scott Fitzgerald’s Tender Is the Night, which probably sold for a buck or two in the 1920s, but was listed on Saturday for $35,000.

I have rare-book taste but a garage-sale-paperback budget, so Tender is the Night wasn’t among my purchases. Nonetheless, there were more affordable options including books for as little as $5.  But the real fun for me was to be among people who are even more book-obsessed than I am.  These are not the same people you would find at, say, the Pet-a-Palooza that was going on in the building next door. (That looked like a lot of fun, too.) It was a crowd that might be described as “professorial.” I ran into a friend who said he was sure he was the only guy there without a beard.

Though they deal in valuable volumes, the booksellers at these events are a friendly bunch and happy to discuss the business (which is doing pretty well) and share their tips on collecting books and spotting first editions.  Original dust jackets are a must, signed by the author.  I lingered and lurked around the desk where dealers where appraising books that people brought in; it was like watching “Antiques Roadshow,” only for books. Who knew a book fair could have such drama? One woman hauled in a pile of books that looked like they had been in her attic since the 30’s and she was more than a little distressed to find they were worth about $5 max (the agony of defeat!).  Another gentleman who brought his books in a briefcase as if he were delivering ransom money walked away a happy man with the knowledge that several of his tomes were worth a few hundred dollars (the thrill of victory!)—with dust jackets and signatures, of course.

As e-readers continue to grow in popularity, rare books will only become rarer, but I’m hoping they won’t become nearly worthless like old PCs or film cameras, but rather more like valuable Chippendale furniture. For more on the world of antique and collectible books, check out the International League of Antiquarian Booksellers. And, if you’re looking for a book fair to attend, the The Midwest Antiquarian Booksellers holds their big Chicago show in August.

Should Book Stores Charge for Author Events?

Yesterday’s New York Times business section, had an article about independent book stores charging people to attend author events, Come Meet the Author, but Open Your Wallet. I hadn’t thought of this as a trend even though I’ve coughed up more than a few dollars to see authors in person.  It’s usually an experience that goes well beyond a sales spiel about a book.

For example, I went to an event last week with David McCullough who gave an hour-plus

David McCullough, out to promote his new book, The Greater Journey. Is it worth it to pay to attend author events?

talk about his book The Greater Journey and his career in general.  The Bookcase, an independent bookseller in Wayzata, Minnesota, held the event at a local church to accommodate the large crowd. The tab: $20 per ticket, with $10 of that going toward the purchase of the book.  I left the event having had the pleasure of hearing McCullough speak and I walked out with a new hardcover copy of the book.  I was a happy camper. From the looks of it, the hundreds of people in attendance (who also left with copies of the book, many signed by the author) were equally happy, and it seems as a result The Bookcase and the author must have been pleased as well.

According to the New York Times article, “Bookstore owners say they are charging for author events because too many people regularly come to see authors having already bought a book online or planning to do so later. Consumers now see the bookstore merely as another library — a place to browse, do informal research and pick up staff recommendations.”

“They type titles into their iPhones and go home,” Nancy Salmon, the floor manager at Kepler’s, an indie bookstore in Menlo Park, Calif., told the paper.  “We know what they’re doing, and it has tested my patience.” (I have to confess I’ve been a lurker at these events and left the store empty handed.)

The downside of charging is that it may discourage people from attending author events and thus diminish the sense of a readers’ community that bookstores create.  That’s one thing that sets indies apart from the online booksellers, live interconnectedness, serving as a sort of cultural center.  The article quotes novelist Ann Patchett, who is currently touring to promote her new book, State of Wonder and who says she is concerned that people who do not have enough money to buy a hardcover book — especially students or the elderly — might be left out. “I wouldn’t want the people who have no idea who I am and have nothing else to do on a Wednesday night shut out,” she said. “Those are your readers.”

Yet for every Ann Patchett or David McCullough, authors who can attract a crowd to events because they’re already well known, there are little-known authors who booksellers could never charge you to see.  It’s every new author’s nightmare to stand alone in the back of the store with no one except the store manager to hear her presentation.

I say it’s okay for bookstores to charge for the big names that will draw people in and spur them to buy books, especially if a portion of the fee can go toward book purchases. It might even make more author events seem like a “hot ticket.”

An F. Scott Fitzgerald Walk in St. Paul

I took a walk last week through the Summit Hill neighborhood of St. Paul, Minnesota,

F. Scott Fitzgerald's debut novel This Side of Paradise

where F. Scott Fitzgerald was born, grew up, wrote his first stories and made the revisions on his debut novel, This Side of Paradise. (If its original not-so-catchy title The Romantic Egoist is any indicator, I can see why they suggested revisions)

Even if you’re not a big Fitzgerald fan, even if you don’t know Amory Blaine from Jay Gatsby, this is a great neighborhood for a stroll, especially in summer. With its gorgeous Victorian homes, overarching elm trees and fun shops nearby it’s—if not this side of paradise—really, really nice.

The St. Paul Public Library (which has a special Fitzgerald reading alcove) offers a brochure called “F. Scott Fitzgerald in St. Paul—Homes and Haunts” that you can download. Start the tour at 481 Laurel Ave., where Fitzgerald was born. Park there and start the walk. The house where his parents later lived (593/599 Summit) and where he finished This Side of Paradisehe described as “A house below the average on a street above the average.”

Fitzgerald's neighborhood is still above average and has many beautifully restored Victorian homes.

Published in 1920, this work launched his career as spokesman for the Jazz Age. He chronicles the changing mores of the generation of wild children of Victorian parents, who Gertrude Stein later dubbed the “Lost Generation.”  Fitzgerald presciently wrote in the most famous passage of the novel, “Here was a new generation, . . . dedicated more than the last to the fear of poverty and the worship of success, grown up to find all Gods dead, all wars fought, all faiths in man shaken.”

F. Scott Fitzgerald's St. Paul birthplace

Be sure to make a stop at W.A. Frost (374 Selby), which has the world’s best outdoor dining, part of your tour.  Frost’s was a drug store and soda fountain during Fitzgerald’s day and retains its historic charm.  Finally, end your tour across the street from W.A. Frost at Common Good Books (downstairs at 165 Western Avenue North), whose proprietor is another St. Paul author and host of “A Prairie Home Companion,” Garrison Keillor. It’s a gem of a bookstore.  To read more of Fitzgerald’s St. Paul works, look for The St. Paul Stories of F. Scott Fitzgerald, edited by another St. Paul author, Patricia Hampl.  Read “The Ice Palace,” “Winter Dreams,” and “A Night at the Fair.”

The real Wilder Life versus my imaginary Wilder Life. I’ll take the latter.

I’ve been reading Wendy McClure’s The Wilder Life in which she recounts her love of Laura Ingalls Wilder‘s  Little House on the Prairie books and her effort to re-create “Laura World” for herself. So, it was a fun coincidence to read a post on the Algonquin Books blog about An American Childhood by Annie Dillard.  Dillard says of her childhood:

What I sought in books was imagination. It was depth, depth of thought and feeling; some sort of extreme of subject matter; some nearness to death; some call to courage. I myself was getting wild; I wanted wildness, originality, genius, rapture, hope. I wanted strength, not tea parties. What I sought in books was a world whose surfaces, whose people and events and days lived, actually matched the exaltation of the interior life. There you could live.

That describes the qualities that have sent generations of young readers flocking to the Little Housebooks, and surely what sent McClure on her journey into “Laura World.”  What fan of “Half-Pint Ingalls” (who thanks to McClure now has her own Twitter account

Laura "Half Pint" Ingalls has her own Twitter account @halfpintingalls.

@halfpintingalls) hasn’t secretly wanted to venture just a little into Laura World? It was a relief to find someone so quirkily devoted to books and McClure’s descriptions of her attempts at some of the Little House activities—churning butter, for example, or making Vanity Cakes—are hilarious. I particularly enjoyed the chapter where she and her ever-patient significant other, Chris, spend a bit of time on a farm learning do-it-yourself skills that might have been of use in Laura World but it turns out they’ve joined a gathering of fundamentalists preparing for “end times.”  

I’m a huge advocate of  reading books to get a better understanding of places one is traveling.  And, a “field trip” to the place where a book took place extends the experience of reading the book. For example, what does fiction such as the Little House books tell us about life in the late 18th century and how does that experience affect us now?  How well would I measure up to the challenges of pioneer life?  How does the Long Winter of Wilder’s experience compare to the long winter I just experienced? I can tell you one thing:  it makes me happy to have central heat and store-bought sticks of butter in the frig.  I’m happy I don’t have to butcher a hog and make head cheese, though I’ve always had a kind of gross fascination with the way the Little House younguns blew up pig bladders and used them as balls.

But McClure also delves into the research about Laura Ingalls Wilder and the dynamics of Laura’s relationship with her daughter, Rose.  She discovers just how far the Little House books deviate from the life of the real Wilders and, (Holy Hoedown!) the suspicion that Rose had more of a hand in writing the books than Laura.

It makes me wonder if there’s a danger in learning too much. It just might diminish the magic of reading in the first place.  The real Laura World doesn’t hold a hand-dipped tallow candle to the world Laura created in our imaginations. I’m going to meet up later this summer with a group of Wilder fans from the Book Vault (see my previous post) in Oskaloosa, Iowa as they hit the Little House hot spots near Minneapolis where I live.  I’ll dip my toes in the water On the Banks of Plum Creek, but my view of Laura World will remain the one in  my own imagination.

Bikes and Books Tour of Minneapolis

The Twin Cities are regularly rated among the most literary cities in the country
(check out Flavorwire‘s pairing of top cities and books set in them) and Minneapolis has been voted the best biking city in America for the last two years.  So it makes sense to put the two together for a two-wheel tour of some of Minneapolis’ outstanding independent bookstores as well as its famous Chain of Lakes.  FYI, for anyone not familiar with this area of Minneapolis, we’re talking flat, paved bikes-only paths, great for kids and anyone who may not be Tour-de-France-fit.

Start out in the city’s Uptown neighborhood, home of some of Minneapolis’ most fun bars and restaurants, as proven by the continual discussion of noise regulations for the area at city council meetings.  It’s also the home of Magers and Quinn on Hennepin Avenue, the city’s largest independent bookseller which bills itself as “A bounty of the world’s best books assembled by biblioholic booksellers.”  This is a place that will make even the most dedicated e-book reader stow the tech and stock up on print.  It has that cozy independent bookstore feel and stacks you could wander for hours. They have everything, new, used (deals!), beautiful antique volumes and first editions…so bring your backpack.  And, if they don’t have a book you’re looking for, they’ll track it down and order it for you.  It’s also a good idea to get on their mailing list for author appearances and reading ideas.

If you haven’t come equipped, trot around the corner to Calhoun Bike Rentals on Lake Street and rent a bike for the rest of your journey.   They also offer bike tours of some of the most interesting areas of Minneapolis.

The Tin Fish restaurant in the Lake Calhoun Boat Pavillion makes a great place to stoke up for lunch. Then start pedaling.  The Chain of Lakes is part of the Grand Rounds National Scenic Byway.  Head south along the east side of Lake Calhoun and on down to Lake Harriet.

A short side trip from Lake Harriett is Wild Rumpus Books a fantastic children’s bookstore that features, in addition to books, live animals and a tiny front door for children to enter through.

Head back to Lake Harriet and north again to Lake Calhoun, Lake of the Isles and on to Birchbark Books and Native Arts in the lovely, leafy Kenwood neighborhood.  It’s one of my favorite bookstores (see my previous post) with a special emphasis on Native American literature.  The staff and owner, novelist Louise Erdrich, carefully choose the books here and handwritten notes offer insight into books for browsers.  Books aside, any store with a confessional and dogs on the premises is good for the soul. You’ll need a little nosh to sustain you as you retrace your path back to Uptown.  Stop next door at the Kenwood Café.

Many bibliophiles make a point of hitting independent bookstores such as these whenever they travel.  To that end, IndieBound has an Indie Store finder that helps readers find indie booksellers just about anywhere.  For more on bookstore tourism, take a look at GalleyCat and Bookstore Tourism.

Art Museum Book Clubs

There’s been much gnashing of teeth and wringing of hands about the decline of reading, diminishing book sales, and the “death of print,” but there’s no doubt that books clubs are thriving. It’s hard to know precisely how many book clubs there are because they are often informal groups. However, according to Publishers Weekly there are an estimated seven million such groups in the U.S. and that number is rising.

Art museums across the country are offering book clubs that combine literature with tours through their galleries. Blue Arabesque by Patricia Hampl is on the reading list at The Minneapolis Institute of Arts.

Some organizations, art museums in particular, recognize the power of book clubs and the potential of readers in general as a huge target for their marketing efforts. From the Delaware Art Museum to the Art Institute of Chicago (I love the name of their group, “Reading Between the Lions”) to the Santa Monica Museum of Art, museums are conducting book-based tours and book clubs that capitalize on the notion that reading can make other aspects of life come alive.  Debbi Hegstrom, associate educator for the docent program at the Minneapolis Institute of Arts (MIA) says, “There are unlimited connections between art and literature. This is another way to promote the vision of the MIA, ‘Inspiring wonder through the power of art,’ to a specific but potentially very large audience. With the current popularity of book clubs, it seems like a logical way to tap into the existing interest and bring more people to the museum.”

Formats vary.  Some art museum reading groups revolve around special exhibits or a featured work; others focus on art-related reading in general, be it fiction or non-fiction. Some require museum membership; others, such as the MIA, are open to anyone. All provide great reading ideas and opportunities for book club field trips. At the MIA, museum tour guides have been presenting book-related tours for four years, as requested by organized book clubs, but a newer program, which is open to anyone on a drop-in basis, has been running for three months. Men, women, young adults to seniors participate.  Says Hegstrom, “The titles usually have something art-related but not necessarily. Guides can use artworks in the museum to explore themes presented in a book. Our goal is to include one fiction and one non-fiction title each quarter, with at least one of the books relating specifically to art or artists.” This summer they’re tackling The Savage Garden by Mark Mills, and Blue Arabesque by Patricia Hampl, a fantastic Minnesota writer.

What’s the common thread between books and art? Hegstrom says, “Literature and the visual arts are both creative expressions of the human spirit. To experience both media based on related topics and to share the experience with others brings depth to both. Books become the reason to get into the galleries and talk about a shared experience—in this case, the literature. I think it’s a way to reach some people who might not otherwise visit, but also to strengthen existing relationships. On tours, we are very interested in how people make personal connections to works of art. This is another avenue to help people build those connections.”

So, if you’re a local or a book lover on vacation, you’ll feel welcome at the MIA’s book tours which take place on first Tuesdays of every month at 11:30 a.m. and first Thursdays at 6:30 p.m. Also, for a list of what museums are reading and more information on the connection between art and literature, check out the Hol Art Books site.

Says Hegstrom, “We hope to expand titles, age groups, and partnerships in the coming year. Sometimes the subject matter and discussions can be serious, but in the end what we love to hear is, ‘Wow, that was really fun.’ “

A Literary and Culinary Trip Across the Brooklyn Bridge, New York City

Brooklyn Bridge
Manhattan to Brooklyn over the Brooklyn Bridge

The Brooklyn Bridge is one of the most famous landmarks in New York City and  walking its span over the East River (just over a mile) is one of my favorite things to do there. A dedicated pedestrian walkway, the Promenade, runs over the center of the bridge and below an estimated one hundred forty-four thousand vehicles cross the bridge every day, which makes it hard to imagine what it was like before the bridge connected the two cities of New York and Brooklyn.  How did the Brooklyn hipsters get to the other side? By boat.

Hike along the wooden Promenade… Cables composed of 3600 miles of steel wire weaving like a spider web around you, the 276½ feet foot towers rising above, the Statue of Liberty standing guard over the harbor to one side, and the view of the city’s massive skyscrapers all around combine for an experience that makes you feel humming with energy.

Reading David McCullough’s book The Great Bridge – The Epic Story of the Building of the Brooklyn Bridge, adds an extra dimension to a walk across the bridge. McCullough tells the story of the fourteen-year effort of building the bridge, which finally opened in 1883. It was at the time an unimaginably daring feat of engineering, exemplary of America’s Age of Optimism. As someone who lives not too far from the I-35W bridge that collapsed in Minneapolis four years ago, the enduring solidity of the Brooklyn Bridge seems even more impressive.

I was particularly fascinated by McCullough’s description of how caissons (used to plant the footings of the huge towers) work.  But, The Great Bridge is more than an explanation of civil engineering. McCullough also weaves in the politics and personalities of New York’s movers and shakers at the end of the Gilded Age, particularly the remarkable designers of the bridge, John Roebling and his son Washington Roebling, who was tragically debilitated by “the bends,” known as caisson’s disease, during the building of the bridge. For a nice discussion of the book, see the Past as Prologue blog.

Bridge-walkers disagree about which is the best way to go, Manhattan to Brooklyn or vice

Street art in DUMBO

versa.  Some recommend taking the subway to Brooklyn and walking back to Manhattan, which offers fantastic views of the Manhattan skyline.  However, I enjoy going the Manhattan-to-Brooklyn route, with the incentive of all the great food that awaits near the end of the bridge on the other side. So, find the pedestrian walkway near City Hall in Manhattan and stroll across the bridge to the DUMBO neighborhood. That’s an acronym for “Down Under the Manhattan Bridge Overpass” but DUMBO is also under the Brooklyn Bridge.

From the end of the bridge it’s a short walk to Grimaldi’s Pizzeria, under the Brooklyn Bridge at 19 Old Fulton Street.  There’s almost always a wait, but it’s worth it.   Then, it’s time for more carb-loading, which you can justify with all that exercise you’ve done walking across the bridge. Almondine Bakery, 85 Water Street, which New York magazine calls the best bakery in the city, is a great place to stop in for coffee and pastry.  It’s especially cozy when the weather’s bad.  Or, pick up amazing chocolate-packed cookies, or homemade ice cream sandwiches at Jacques Torres  at 66 Water Street and head over to Brooklyn Bridge Park.  The Cove section of the park lies between the Brooklyn and Manhattan bridge and offers an terrific Manhattan view.  It’s also one of the few places on the New York City waterfront where visitors can actually get down to the water. Its a rich habitat for fish, crabs, and birds of the New York Harbor Estuary.

New York, bridges and chocolate…what could be better?

New study: more books/reading equals educational achievement

I ran across an article in Miller-McCune about an interesting study that correlates the impact of books in the home with children’s success in education. “Home library size has a very substantial effect on educational attainment, even adjusting for parents’ education, father’s occupational status and other family background characteristics,” reports the study, recently published in the journal Research in Social Stratification and Mobility. “Growing up in a home with 500 books would propel a child 3.2 years further in education, on average, than would growing up in a similar home with few or no books.

But we book lovers already knew this.