Naniboujou is the Cree god for the outdoors. In 1929, this lodge was planned to be an exclusive getaway for Chicago celebs and outdoorsmen. It was a great idea, but the Great Depression brought that to an end. In smaller form than originally planned, this historic lodge on Lake Superior continues on– and the best part is this stunningly-painted dining room. The food is great, but the ceiling (this is the original paint) is mind-blowing. It’s a delightful distraction and worth a detour if you’re on your way along the north shore between Grand Marais and Canada or ready to set out on the Gunflint Trail.
The KiMo Theater opened on what was then Route 66 (now Central Avenue) in Albuquerque in 1927. The big new theater was a source of civic pride and boosters held a contest to name the theater. The governor of Isleta Pueblo, Pablo Abeita, won a prize of $50, a huge sum for the time, for the KiMo name. According to theater history, “it is a combination of two Tiwa words meaning “mountain lion” but liberally interpreted as ‘king of its kind’.”
It certainly is king of its kind, built in the the “pueblo deco” architectural style. If you think the outside is interesting, you should see the decor on the inside. Understated it is not. Here are a few scenes from the interior.
Italian cities are fascinating places to visit but they’re often crowded and hectic. So, I look for places to relax in the Italian countryside. A great example is Frances’ Lodge Relais, a rustic yet elegant old farm, just outside Sienna. Hosts Franca and Franco provide great touring tips, luxurious breakfasts in the garden and, sometimes, a picnic dinner of homemade pasta under the olive trees. Best of all, relaxing “under the Tuscan sun” with wine and a book by their beautiful pool with a view of the Sienna skyline.
With blooms busting’ out all over, this botanical garden is beautiful from the start. Then add a butterfly garden with installations of Chihuly Glass. The curving, colorful forms of glass serve to draw attention to the curves and colors of nature that surround them, heightening our awareness of nature’s amazing artistry.
Cartoons and funny articles in a style that is spare and gentle.
James Thurber was one of the most beloved humorists of the last century and his cartoons were regularly featured in The New Yorker for over 30 years. I recently visited his boyhood home in Columbus, Ohio, where the stories about Thurber’s childhood explained a lot about his gentle and quirky humor, particularly the tales about his delightfully cooky mother and his love of dogs.
Thurber’s drawings are spare, simple black lines and experts speculate that it may be due in part to an eye injury he received as a child. If your knowledge of Thurber’s work is limited to “The Secret Life of Walter Mitty” and its recent movie incarnation, I suggest reading The Thurber Carnival, a collection of his short stories and drawings for a better look at the author/illustrator. For example, one of my favorite of Thurber’s canine characters is Muggs, in “The Dog That Bit People.” Muggs, a really crabby Airedale, was one of the family dogs (Thurber owned 53 during his life). Muggs bit everyone except Mrs. Thurber who always defended him. Thurber writes, “Mother used to send a box of candy every Christmas to the people the Airedale bit. The list finally contained forty or more names.” Like most authors’ homes, Thurber’s house offers a view of life in a slower, though with Muggs around, not necessarily a safer era.
Apart from the stories and drawings, one of Thurber’s most important legacies is the Thurber Prize for American Humor that is now awarded in his name from the non-profit that runs the house and the many Thurber House programs for writers. Winners have included Jon Stewart, David Sedaris,Calvin Trillin and most recently Minnesotan Julie Schumaker for her hilarious book Dear Committee Members. See my article in the Minnesota Women’s Press on Julie Schumacher.